Groceries

In the previous post, I had started a drawing. I was offline and used a PD photo I had downloaded from:
https://pixabay.com/en/woman-sad-face-portrait-human-244179/ It’s public domain. Apparently, Andi Graf is the photographer. Thank you!
I did an underpainting of that drawing in casein on bristol board.

handsclutchingcloak-underpainting
Underpainting in casein (milk)

Unfortunately, I had thought it a good idea to paste the bristol to acid-free cardboard. The egg in the egg tempera overpainting did NOT think it was a good idea. Instantly, the corrugation showed through. I had problems with a mottled face. The face became more spotted because of my stupid reluctance to squeeze all the water out of my brush while I dry-brushed glazes.
I’ve got that situation better now,

handsclutchingcloak-eggtempera
Midpainting in egg tempera (egg yolk)

but I’m thinking about switching to oil, because I’ve lost the brightness. Should I? Would that make the corrugation look worse? Ug. Arg.
I don’t know. All I can think is, ‘This woman is on a diet of milk, eggs and oil. Should I feed her so much?’

I say it’s done.

Hands Clutching Cloak by Moon
After touch-ups and varnish.

Some of the skin is too opaque now. I wish I could have kept the beautiful translucent glazes.

I’ve convinced myself that the corrugation is organic. Charming. I want you to say, when you look at it, “My golly, this is charmingly corrugated!” If you’re a museum curator, I want you to say, “After having seen this, I’m going back to the museum to crumple all the paintings!”